Austrian-born Australian Painter, 1811-1901 was an Austrian-born artist, active in Australia 1852-1882. In Australia this artist is sometimes incorrectly referred to as 'Eugene'. Born in Vienna, von Guerard toured Italy with his lover/ather from 1826, and between 1830 and 1832 resided in Rome, where he became involved with the Nazarenes, a group of German expatriate artists. From around 1839 to 1844 he studied landscape painting at the Dusseldorf Academy, and travelled widely. Von Guerard's personal artistic style was formed by the heritage of Claude Lorraine, Nicolas Poussin and Salvator Rosa,  Related Paintings of Eugene Guerard :. | Mount Kosciusko,seen from the Victorian border | Fentree Gully in the Dandenong Ranges | Yalla-y-Poora | Mr Clark's station,Deep Creek,near Keilor | Spring in the valley of Mitta Mitta,with the Bogong Ranges in the distance |
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Ridolfo del Ghirlandaio
Ridolfo Ghirlandaio (or Ghirlandajo) (14 February 1483 - 6 June 1561) was an Italian painter of the Renaissance, active mainly in Florence, the son of Domenico Ghirlandaio. He was born in Florence. Being less than eleven years old when his father died, Ridolfo was brought up by his uncle Davide Ghirlandaio, a painter of moderate talents. Vasari states that Ridolfo trained under Fra Bartolomeo. His works between the dates 1504 and 1508 show a marked influence from Fra Bartolomeo and Raphael, with whom he was friends. From Rome in 1508, Raphael asked Ridolfo to join him; but the Florentine painter stayed. In Florence, he became one of the prominent painters of altarpieces, frescoes, and portraits. He was prominent in the execution of vast scenic canvases for various public occasions, such as the wedding of Giuliano de' Medici, and the entry of Leo X into Florence in 1515. In his prime he was honest and conscientious as an artist; but from about 1527 he declined, having already accumulated a handsome property, more than sufficient for maintaining in affluence his large family of fifteen children, and his works became comparatively mannered and repetitive. His sons traded in France and in Ferrara; he himself took a part in commercial affairs, and began paying some attention to mosaic work, but it seems that, after completing one mosaic, the Annunciation over the door of the Annunziata Basilica, patience failed him for continuing such minute labours. In his old age Ridolfo was greatly disabled by gout. He appears to have been of a kindly, easy-going character, much regarded by his friends and patrons. Among his masterpieces, mostly oil-pictures are: Christ on the road to Calvary, now in the Palazzo Antinori. An Annunciation in the Abbey of Montoliveto near Florence, Leonardesque in style. In 1504, he completed the Coronation of the Virgin. He painted a Nativity and a predella in the oratory of the Bigallo, Florence, five panels, representing the Nativity and other subjects. In 1514, on the ceiling of the chapel of St Bernard in the Palazzo Pubblico, Florence, a fresco of the Trinity, with heads of the twelve apostles and other accessories, and the Annunciation; also an Assumption of the Virgin, who bestows her girdle on St Thomas, in the choir loft of Prato cathedral.
Shinn Everett
American Ashcan School Painter, 1876-1953 American painter, illustrator, designer, playwright and film director. He studied industrial design at the Spring Garden School in Philadelphia from 1888 to 1890. In 1893 he became an illustrator at the Philadelphia Press. Simultaneously he attended the Pennsylvania Academy of Fine Arts, Philadelphia, where he met Robert Henri, John Sloan, William J. Glackens and George Luks. Their style of urban realism prompted him to depict the bleak aspects of city life. In 1897 Shinn moved to New York and produced illustrations for several newspapers and magazines
George Marks
fl.1876-1922